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Fragrance Tips
For a long-lasting effect, fragrance should be layered all
over the body, starting with toilet water or eau de parfum, next in strength to
perfume, to build the fragrance foundation. Because fragrance rises, spray or
smooth fragrance onto skin from the feet to the shoulders. If fragrance is
applied only behind the ears, it will eventually rise and disappear.
Fragrance Tips
Skin type will also affect the way a fragrance smells on a
person. Fragrance wearers with oilier skin should remember that fragrances
interact with the oils in their skin to create a more intense scent. Dry skin
does not retain fragrance as long as oily skin, requiring the wearer to re-apply
the fragrance more often.
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Natural and synthetic aromatics
Plant sources
Plants have long been used in perfumery as a source of essential oils and aroma
compounds. These aromatics are usually secondary metabolites produced by plants
as protection against herbivores, infections, as well as to attract pollinators.
Plants are by far the largest source of fragrant compounds used in perfumery.
The sources of these compounds may be derived from various parts of a plant. A
plant can offer more than one source of aromatics, for instance the aerial
portions and seeds of coriander have remarkably different odors from each other.
Orange leaves, blossoms, and fruit zest are the respective sources of petit
grain, neroli, and orange oils.
* Flowers and Blossoms: Undoubtedly the largest source of aromatics. Includes
the flowers of several species of rose and jasmine, as well as osmanthus,
mimosa, tuberose, as well as the blossoms of citrus and ylang-ylang trees.
Although not traditionally thought of as a flower, the unopened flower buds of
the clove are also commonly used. Orchid flowers are not commercially used to
produce essential oils or absolutes, except in the case of vanilla, an orchid,
which must be pollinated first and made into seed pods before use in perfumery.
* Leaves and Twigs: Commonly used for perfumery are lavender leaf, patchouli,
sage, violets, rosemary, and citrus leaves. Sometimes leaves are valued for the
"green" smell they bring to perfumes, examples of this include hay and tomato
leaf.
* Roots, rhizomes and bulbs: Commonly used terrestrial portions in perfumery
include iris rhizomes, vetiver roots, various rhizomes of the ginger family.
* Seeds: Commonly used seeds include tonka bean, coriander, caraway, cocoa,
nutmeg, mace, cardamom, and anise.
* Fruits: Fresh fruits such as apples, strawberries, cherries unfortunately do
not yield the expected odors when extracted; if such fragrance notes are found
in a perfume, they are synthetic. Notable exceptions include litsea cubeba,
vanilla, and juniper berry. The most commonly used fruits yield their aromatics
from the rind; they include citrus such as oranges, lemons, limes, and
grapefruit.
* Woods: Highly important in providing the base notes to a perfume, wood oils
and distillates are indispensable in perfumery. Commonly used woods include
sandalwood, rosewood, agar wood, birch, cedar, juniper, and pine.
* Bark: Commonly used barks includes cinnamon and cascarilla. The fragrant oil
in sassafras root bark is also used either directly or purified for its main
constituent, safrole, which is used in the synthesis of other fragrant compounds
such as helional.
* Resins: Valued since antiquity, resins have been widely used in incense and
perfumery. Highly fragrant and antiseptic resins and resin-containing perfumes
have been used by many cultures as medicines for a large variety of ailments.
Commonly used resins in perfumery include labdanum, frankincense/olibanum,
myrrh, Peru balsam, gum benzoin. Pine and fir resins are a particularly valued
source of terpenes used in the organic synthesis of many other synthetic or
naturally occurring aromatic compounds. Some of what is called amber and copal
in perfumery today is the resinous secretion of fossil conifers.
* Lichens: Commonly used lichen includes oakmoss and treemoss thalli.
Animal sources
* Musk: Originally derived from the musk sacs from the Asian musk deer, it has
now been replaced by the use of synthetic musks due to its price and ethical
issues.
* Civet: Also called Civet Musk, this is obtained from the odorous sacs of the
civets, animals in the family Viverridae, related to the Mongoose.
* Castoreum: Obtained from the odorous sacs of the North American beaver.
* Ambergris: Lumps of oxidized fatty compounds, whose precursors were secreted
and expelled by the Sperm Whale. Ambergris is commonly referred as "amber" in
perfumery and should not be confused with yellow amber, which is used in
jewelry.
* Honeycomb: Distilled from the honeycomb of the Honeybee.
Synthetic sources
Synthetic aromatics are created through organic synthesis from various chemical
compounds that are obtained from petroleum distillates, pine resins, or other
relatively cheap organic feedstock. Synthetics can provide fragrances which are
not found in nature. For instance, Calone, a compound of synthetic origin,
imparts a fresh ozonous metallic marine scent that is widely used in
contemporary perfumes. Synthetic aromatics are often used as an alternate source
of compounds that are not easily obtained from natural sources. For example,
linalool and coumarin are both naturally occurring compounds that can be cheaply
synthesized from terpenes. Orchid scents (typically salicylates) are usually not
obtained directly from the plant itself but are instead synthetically created to
match the fragrant compounds found in various orchids.
The majority of the world's synthetic aromatics are created by relatively few
companies. They include:
* International Flavors and Fragrances (IFF)
* Givaudan
* Firmenich
* Quest International
* Takasago
* Symrise
* CPL
Each of these companies patent several processes for the production of aromatic
synthetics annually.
Main article: Extraction (fragrance)
Before perfumes can be composed, the odorants used in various perfume
compositions must first be obtained. Synthetic odorants are produced through
organic synthesis and purified. Odorants from natural sources require the use of
various methods to extract the aromatics from the raw materials. The results of
the extraction are either essential oils, absolutes, concretes, or butters,
depending on the amount of waxes in the extracted product.
All these techniques will to a certain extent, distort the odour of the aromatic
compounds obtained from the raw materials. This is due to the use of heat, harsh
solvents, or through exposure to oxygen in the extraction process which will
denature the aromatic compounds, which either change their odour character or
renders them odorless.
* Maceration/Solvent extraction: The most used and economically important
technique for extracting aromatics in the modern perfume industry. Raw materials
are submerged in a solvent that can dissolve the desired aromatic compounds.
Maceration lasts anywhere from hours to months. Fragrant compounds for woody and
fibrous plant materials are often obtained in this manner as are all aromatics
from animal sources. The technique can also be used to extract odorants that are
too volatile for distillation or easily denatured by heat. Commonly used
solvents for maceration/solvent extraction include hexane, and dimethyl ether.
The product of this process is called a "concrete".
* Supercritical fluid extraction: A relatively new technique for extracting
fragrant compounds from a raw material, which often employ Supercritical CO2.
Due to the low heat of process and the relatively unreactive solvent used in the
extraction, the fragrant compounds derived often closely resemble the original
odor of the raw material.
* Ethanol extraction: A type of solvent extraction used to extract fragrant
compounds directly from dry raw materials, as well as the impure oily compounds
materials resulting from solvent extraction or enfleurage. Ethanol extraction is
not used to extract fragrance from fresh plant materials since these contain
large quantities of water, which will also be extracted into the ethanol.
* Distillation: A common technique for obtaining aromatic compounds from plants,
such as orange blossoms and roses. The raw material is heated and the fragrant
compounds are re-collected through condensation of the distilled vapor.
* Steam distillation: Steam from boiling water is passed through the raw
material, which drives out their volatile fragrant compounds. The condensate
from distillation are settled in a Florentine flask. This allows for the easy
separation of the fragrant oils from the water. The water collected from the
condensate, which retains some of the fragrant compounds and oils from the raw
material is called hydrosol and sometimes sold. This is most commonly used for
fresh plant materials such as flowers, leaves, and stems.
* Dry/destructive distillation: The raw materials are directly heated in a still
without a carrier solvent such as water. Fragrant compounds that are released
from the raw material by the high heat often undergo anhydrous pyrolysis, which
results in the formation of different fragrant compounds, and thus different
fragrant notes. This method is used to obtain fragrant compounds from fossil
amber and fragrant woods where an intentional "burned" or "toasted" odor is
desired.
* Expression: Raw material is squeezed or compressed and the oils are collected.
Of all raw materials, only the fragrant oils from the peels of fruits in the
citrus family are extracted in this manner since the oil is present in large
enough quantities as to make this extraction method economically feasible.
* Enfleurage: Absorption of aroma materials into wax and then extracting the
odorous oil with alcohol. Extraction by enfleurage was commonly used when
distillation was not possible due to the fact that some fragrant compounds
denature through high heat. This technique is not commonly used in the present
day industry due to its prohibitive cost and the existence of more efficient and
effective extraction methods.
Fragrant extracts
Although fragrant extracts are known to the general public as the generic term
"essential oils", a more specific language is used in the fragrance industry to
describe the source, purity, and technique used to obtain a particular fragrant
extract.
Of these extracts, only absolutes, essential oils, and tinctures are directly
used to formulate perfumes.
* Absolute: Fragrant materials that are purified from a pommade or concrete by
soaking them in ethanol. By using a slightly hydrophilic compound such as
ethanol, most of the fragrant compounds from the waxy source materials can be
extracted without dissolving any of the fragrant less waxy molecules. Absolutes
are usually found in the form of an oily liquid.
* Concrete: Fragrant materials that have been extracted from raw materials
through solvent extraction using volatile hydrocarbons. Concretes usually
contain a large amount of wax due to the ease in which the solvents dissolve
various hydrophobic compounds. As such concretes are usually further purified
through distillation or ethanol based solvent extraction. Concretes are
typically either waxy or resinous solids or thick oily liquids.
* Essential oil: Fragrant materials that have been extracted from a source
material directly through distillation or expression and obtained in the form of
an oily liquid. Oils extracted through expression are sometimes called
expression oils.
* Pommade: A fragrant mass of solid fat created from the enfleurage process, in
which odorous compounds in raw materials are adsorbed into animal fats. Pomades
are found in the form of an oily and sticky solid.
* Tincture: Fragrant materials produced by directly soaking and infusing raw
materials in ethanol. Tinctures are typically thin liquids.
Composing perfumes
Perfume compositions are an important part of many industries ranging from the
luxury goods sectors, food services industries, to manufacturers of various
household chemicals. The purpose of using perfume or fragrance compositions in
these industries is to affect customers through their sense of smell and entice
them into purchasing the perfume or perfumed product. As such there is
significant interest in producing a perfume formulation that people will find
aesthetically pleasing.
The Perfumer
The job of composing perfumes that will sell is left up to an expert on perfume
composition or known in the fragrance industry as the perfumer. They are also
sometimes referred to affectionately as "the Nose" due to their fine sense of
smell and skill in smell composition. The perfumer is effectively an artist who
is trained in depth on the concepts of fragrance aesthetics and who is capable
of conveying abstract concepts and moods with their fragrance compositions. At
the most rudimentary level, a perfumer must not only have a keen knowledge of a
large variety of fragrance ingredients and their smells, and be able to
distinguish each of the fragrance ingredients whether alone or in combination
with other fragrances. As well, they must know how each ingredient reveals
itself through time with other ingredients. The job of the perfumer is very
similar to that of flavourists, who compose smells and flavourants for many
commercial food products.
The composition of a perfume typically begins with a brief by the perfumer's
employer or an outside customer. The customers to the perfumer or their
employers, are typically fashion houses or large corporations of various
industries. Each brief will contain the specifications for the desired perfume,
and will describe in often poetic or abstract terms what the perfume should
smell like or what feelings it should evoke in those who smell it, along with a
maximum per liter price of the perfume oil concentrate. This allowance, along
with the intended application of the perfume will determine what aromatics and
fragrance ingredients can/will be used in the perfume composition.
The perfumer will then go through the process of blending multiple perfume
mixtures and will attempt to capture the desired feelings specified in the
brief. After presenting the perfume mixtures to the customers, the perfumer may
"win" the brief with their approval, and proceed to sell the formulation to the
customer, often with modifications of the composition of the perfume. This
process typically spans over several months to several years. The perfume
composition will then be either used to enhance another product as a functional
fragrance (shampoos, make-up, detergents, car interiors, etc.), or marketed and
sold directly to the public as a fine fragrance.
Alternatively, the perfumer may simply be inspired to create a perfume and
produce something that later becomes marketable or successfully wins a brief.
This usually happens in smaller or independent perfume houses.
Technique
Perfume oils usually contain tens to hundreds of ingredients. Included in the
perfume are fixatives, which bind the various fragrances together, such as
balsams, ambergris, and secretions from the scent glands of the civet cat and
musk deer (undiluted, these have unpleasant smells but in alcoholic solution
they act as preserving agents). The mixture is normally aged for one year.
Reverse engineering
Creating perfumes through reverse engineering with analytical techniques such as
GC/MS can reveal some of the formula for a particular perfume but most perfumes
are difficult to analyze because of their complexity, particularly due to
presence of essential oils and other ingredients consisting of complex chemical
mixtures. Recreating perfumes in this manner is very expensive, unless one has
access to the same complex ingredients as the original formulators.
Furthermore the deliberate addition of inert ingredients to obscure the formula
makes identification of components difficult. Antique or badly preserved
perfumes undergoing this analysis can also be difficult due to the numerous
degradation by-products and impurities that may have resulted from breakdown of
the odorous compounds. However, these ingredients and compounds can usually be
ruled-out or identified using gas chromatograph (GC) smellers, which allow
individual chemical components to be identified both through their physical
properties and their scent.
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